6.05.14 Exhibition and presentation, Salt and Cedar, Detroit / June 2014

salt and cedar instagram brick wallEXHIBITION:
Leona Christie / Gavin Christie: Turns and Returns
Photographs and text-based prints on paper, silk, and plexiglass
On view through from June 5 to June 30, 2014
                                              
PRESENTATION:
Ghost Sprawl
Thursday, June 5, 2014, 7 pm
Audio-visual presentation about Gavin Christie’s odes to closed stores and changed directions
                          
                               
Salt & Cedar
2448 Riopelle Street (at Fisher, in Eastern Market)
Detroit, Michigan
207.671.3462 or 718.243.0446
June hours:  Saturday | 10a-5p, and by appt.

email: info@saltandcedar.com | http://www.saltandcedar.com  | map & parking |  facebook 

05.11.14 “LifeLoggers: Chronicling the Everyday,” Elmhurst Art Museum, May 11 – Aug 17, 2014

Curated by Rachel Seligman, Tang Museum at Skidmore College
and Nadine Wasserman, Independent Curator

“Counting steps, tracking calories and checking in—new technology allows us to be our own favorite research project. The artists in the exhibition, LifeLoggers: Chronicling the Everyday, take logging to a new level by translating their data into complex and prodigious artwork.”

http://www.elmhurstartmuseum.org/current-exhibitions/341-lifeloggers.html

PRESS
Chicago Reader

“LifeLoggers” was first exhibited at the Perlman Teaching Museum, Carleton College, Northfield, MN / January 10 – March 16, 2014

04.17.14 Review of “Body Language” exhibition in Albany Times-Union

“Beyond Anatomy: Arworks Examine Meaning of the Body” by Amy Griffin, Albany Times-Union, April 17, 2014

From article:

Christie’s  characters are more otherworldly than dreamy. In what looks like a future inhabited only by females or female-like creatures, technology and bodies are becoming one. In “We Have Never Not Been Inhuman,” her drawings are rendered in vinyl for a site-specific installation on the windows over the security area. The plastic medium is a good fit for Christie’s pliant figures, and the site is interesting, too. As passengers are herded into their pat-downs and X-ray machines, they can gaze up on these women floating among futuristic machinery.”

3.31.14 “Body Language,” Albany International Airport Gallery

airport show wall from distance

(pic above: by K. Kanarek)

Body Language

Group exhibition
Albany International Airport Gallery
April 5- September 7, 2014
Public Reception: Friday, April 11, 2014, 5:30-7:30 PM

Showing new drawings on paper, and a wall-sized site-specific vinyl graphic drawing on glass

Curator’s Statement:

Without saying a word, we speak to one another through gesture, gaze and composure. Interpreting the nuances of this language requires intuition and a certain degree of empathy for those around us. perhaps more than any other subject matter in art, the body invites associations with our own sense of self, as well as our notions of other. In this exhibition, the human form becomes a source of allegory, personal narrative, cultural sensibiltiy and transformation.

In contrast to the tradition of aiming for at faithful likeness, the artists assembled here present subjects that are not at once who they seem. Features are intentionally distorted or hybridized; environments and events are laced with incongruities and inversions. We are prompted to consider – as these figures do – how our individual story, with its reflections on the past and aspirations for the future, fits within a collective human identity.

Artists: Darcie Abbatiello, Melanie Baker, Leona Christie, Brian Cirmo, Sean Hovendick, Sergei Isupov, Paul Miyamoto, Robert & Shana Parke Harrison, Amy Podmore, Lin Price

02.06.13 Write-up of “So to Speak” in Albany Times-Union

“‘So to Speak’ examines artistic power of language” by Amy Griffin, Albany Times-Union, Feb 6, 2013

From article:

“In her book, Leona Christie notes that Gavin read (and reread) the biography of Scarry who, as a child, made lists in the form of drawings. What Gavin does is an inversion of this — processing images into words and, by presenting them on a large scale, his sister-collaborator effectively makes images of his words.”
.

12.29.12 “So to Speak” group show curated by Emily Berçir Zimmerman, opens Jan 25th, 2013

"BWBE: Changes to Work Machines"  2012, Archival Inkjet Print, 55" x 44" (detail)

“BWBE: Changes to Work Machines” 2012, Archival Inkjet Print, 55″ x 44″ (detail)

Gavin Christie still remembers the exact day, August 23, 1981, when he first saw the second edition of the Richard Scarry’s Best Word Book Ever (BWBE).  He was at a bookstore in suburban Detroit, and ever since then, Gavin has been regularly recording all the changes and differences between the first edition (1963), which he memorized as a small child in the early 1970’s, and the second (current) edition (1980).  Gavin types or hand-writes these changes every few weeks, even though the changes never change.

His practice of noticing and re-noticing is like a form of meditation. In “BWBE: Changes,”  I’m presenting a series of large-scale trompe l’oeil facsimiles of Gavin Christie’s recent “Richard Scarry projects,” in which he observes subtle differences, such as: “the female bear construction / worker that drives a roller / now has a bow ribbon on her head.”

from the press release:

So to Speak, curated by Emily Berçir Zimmerman, will include the work of artists Leona Christie, Hollis Frampton, Melinda McDaniel, Fernando Orellana, Paula Gaetano Adi and Klub Zwei.

The Arts Center of the Capital Region, 265 River Street, Troy, NY
January 25 – March 29, 2013
Reception: Friday, January 25, 5-9 PM at TNO
Lecture with Johannes Goebel: March 21, 7:00 pm

An exhibition devoted to the reiteration of images in words, in which friction emerges in the process of translation, through a jarring of verbal and visual accounts.  So to Speak calls into question the pervasiveness of the still and moving photographic image within our culture’s visual regime, and the dominance of visual media within today’s cultural production. In this exhibition, words will act as a prosthetic extension for the image, saying those things that the image cannot say                                                       emily berçir zimmerman